The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

The lighting at LeBauer Park works to reinforce the four-acre park's landscape design. Rows of evenly spaced trees were formally lit with in-ground uplights, while sporadically arranged trees are illuminated with pole mounted pattern projectors to add a sense of drama. Where We Met, a net sculpture by artist Janet Echelman, can be seen from anywhere throughout the park. Our custom-designed LED floodlights make the piece equally as beautiful at night as it is during the day. 

Location: Greensboro, North Carolina
Landscape Design: OJB Landscape Architecture
Sculpture Design: Janet Echelman
Photography: Joshua Spitzig
Awards: IES Award of Merit

Klyde Warren Park serves as a major pedestrian corridor connecting Uptown and the dynamic Arts District of downtown Dallas. The 5.2-arce park, built over a recessed freeway dividing the two areas, utilizes a lighting design that promotes connectivity among the city's people by mimicking the comfort found in their homes. 

Location: Dallas, TX
Architect: Office of James Burnett
Photographer: Joshua Spitzig

Klyde Warren Park serves as a major pedestrian corridor connecting Uptown and the dynamic Arts District of downtown Dallas. The 5.2-arce park, built over a recessed freeway dividing the two areas, utilizes a lighting design that promotes connectivity among the city's people by mimicking the comfort found in their homes. 

Location: Dallas, TX
Architect: Office of James Burnett
Photographer: Joshua Spitzig

Klyde Warren Park serves as a major pedestrian corridor connecting Uptown and the dynamic Arts District of downtown Dallas. The 5.2-arce park, built over a recessed freeway dividing the two areas, utilizes a lighting design that promotes connectivity among the city's people by mimicking the comfort found in their homes. 

Location: Dallas, TX
Architect: Office of James Burnett
Photographer: Joshua Spitzig

Klyde Warren Park serves as a major pedestrian corridor connecting Uptown and the dynamic Arts District of downtown Dallas. The 5.2-arce park, built over a recessed freeway dividing the two areas, utilizes a lighting design that promotes connectivity among the city's people by mimicking the comfort found in their homes. 

Location: Dallas, TX
Architect: Office of James Burnett
Photographer: Joshua Spitzig

Klyde Warren Park serves as a major pedestrian corridor connecting Uptown and the dynamic Arts District of downtown Dallas. The 5.2-arce park, built over a recessed freeway dividing the two areas, utilizes a lighting design that promotes connectivity among the city's people by mimicking the comfort found in their homes. 

Location: Dallas, TX
Architect: Office of James Burnett
Photographer: Joshua Spitzig

The vibrant portals at Piers 88 and 90 were conceptualized by NYCruise and the NYC Economic Development Corporation in order to provide a visual landmark and enhance the profile of the Manhattan Cruise Terminal. Focus collaborated with designers Bermello Ajamil & Partners, engineers WSP Flack + Kurtz, and graphic Two Twelve to create the captivating new signs. 

Location: New York, NY
Designers: Bermello Ajamil & Partners
Scope: Exterior

The vibrant portals at Piers 88 and 90 were conceptualized by NYCruise and the NYC Economic Development Corporation in order to provide a visual landmark and enhance the profile of the Manhattan Cruise Terminal. Focus collaborated with designers Bermello Ajamil & Partners, engineers WSP Flack + Kurtz, and graphic Two Twelve to create the captivating new signs. 

Location: New York, NY
Designers: Bermello Ajamil & Partners
Scope: Exterior

The vibrant portals at Piers 88 and 90 were conceptualized by NYCruise and the NYC Economic Development Corporation in order to provide a visual landmark and enhance the profile of the Manhattan Cruise Terminal. Focus collaborated with designers Bermello Ajamil & Partners, engineers WSP Flack + Kurtz, and graphic Two Twelve to create the captivating new signs. 

Location: New York, NY
Designers: Bermello Ajamil & Partners
Scope: Exterior

As a part of the 2008 Beijing Olympics, Focus Lighting developed a concept for the Wukesong Arena inspired by a significant symbol in Chinese culture, the lotus flower. Surrounded by a pool, vertical ribbons of undulating, perforated metal envelope the large glass structure, extending its entire length with color changing LEDs, creating a delicate, shimmering layer of color upon which the entire building appears to float. 

Location: Beijing, China
Scope: Conceptual Design
Architect: HOK Sports

As a part of the 2008 Beijing Olympics, Focus Lighting developed a concept for the Wukesong Arena inspired by a significant symbol in Chinese culture, the lotus flower. Surrounded by a pool, vertical ribbons of undulating, perforated metal envelope the large glass structure, extending its entire length with color changing LEDs, creating a delicate, shimmering layer of color upon which the entire building appears to float. 

Location: Beijing, China
Scope: Conceptual Design
Architect: HOK Sports

As a part of the 2008 Beijing Olympics, Focus Lighting developed a concept for the Wukesong Arena inspired by a significant symbol in Chinese culture, the lotus flower. Surrounded by a pool, vertical ribbons of undulating, perforated metal envelope the large glass structure, extending its entire length with color changing LEDs, creating a delicate, shimmering layer of color upon which the entire building appears to float. 

Location: Beijing, China
Scope: Conceptual Design
Architect: HOK Sports

The goal for the lighting of each of three traditional rides at Tivoli Gardens in Copenhagen was to have a person who was looking at it from afar feel the same sense of movement and excitement that someone riding it would experience. To achieve this, we illuminated the rides in a way that was evocative of the movement of the ride itself. 

Location: Copenhagen, Denmark
Awards: IESNA Award of Merit

The goal for the lighting of each of three traditional rides at Tivoli Gardens in Copenhagen was to have a person who was looking at it from afar feel the same sense of movement and excitement that someone riding it would experience. To achieve this, we illuminated the rides in a way that was evocative of the movement of the ride itself. 

Location: Copenhagen, Denmark
Awards: IESNA Award of Merit

The goal for the lighting of each of three traditional rides at Tivoli Gardens in Copenhagen was to have a person who was looking at it from afar feel the same sense of movement and excitement that someone riding it would experience. To achieve this, we illuminated the rides in a way that was evocative of the movement of the ride itself. 

Location: Copenhagen, Denmark
Awards: IESNA Award of Merit

The goal for the lighting of each of three traditional rides at Tivoli Gardens in Copenhagen was to have a person who was looking at it from afar feel the same sense of movement and excitement that someone riding it would experience. To achieve this, we illuminated the rides in a way that was evocative of the movement of the ride itself. 

Location: Copenhagen, Denmark
Awards: IESNA Award of Merit

The Marcus Center for the Performing Arts is one of the Midwest's premier theater venues. To make the building more iconic, a concept was developed that revolved around bathing the exterior facade in washes of colored light. This light shifts in color and pattern, creating a work of kinetic art inspired by the work of local artist Georgia O'Keefe. 

Location: Milwaukee, WI
Owner: Marcus Center for the Performing Arts

The Marcus Center for the Performing Arts is one of the Midwest's premier theater venues. To make the building more iconic, a concept was developed that revolved around bathing the exterior facade in washes of colored light. This light shifts in color and pattern, creating a work of kinetic art inspired by the work of local artist Georgia O'Keefe. 

Location: Milwaukee, WI
Owner: Marcus Center for the Performing Arts

The Marcus Center for the Performing Arts is one of the Midwest's premier theater venues. To make the building more iconic, a concept was developed that revolved around bathing the exterior facade in washes of colored light. This light shifts in color and pattern, creating a work of kinetic art inspired by the work of local artist Georgia O'Keefe. 

Location: Milwaukee, WI
Owner: Marcus Center for the Performing Arts

At the Prudential Center, home to the New Jersey Devils, fans enter through towering 130-foot glass drums, and are bathed in red light and patterns - an ode to the home team. Inside, the Premium Restaurant and Lounge features architecturally integrated lighting in bar tops, walls, seating and coves all working together to accent and showcase the interior design. 

Location: Newark, NJ
Architect: HOK Sport

At the Prudential Center, home to the New Jersey Devils, fans enter through towering 130-foot glass drums, and are bathed in red light and patterns - an ode to the home team. Inside, the Premium Restaurant and Lounge features architecturally integrated lighting in bar tops, walls, seating and coves all working together to accent and showcase the interior design. 

Location: Newark, NJ
Architect: HOK Sport

At the Prudential Center, home to the New Jersey Devils, fans enter through towering 130-foot glass drums, and are bathed in red light and patterns - an ode to the home team. Inside, the Premium Restaurant and Lounge features architecturally integrated lighting in bar tops, walls, seating and coves all working together to accent and showcase the interior design. 

Location: Newark, NJ
Architect: HOK Sport

At the Prudential Center, home to the New Jersey Devils, fans enter through towering 130-foot glass drums, and are bathed in red light and patterns - an ode to the home team. Inside, the Premium Restaurant and Lounge features architecturally integrated lighting in bar tops, walls, seating and coves all working together to accent and showcase the interior design. 

Location: Newark, NJ
Architect: HOK Sport

The Burj Al Arab in Dubai. UAE measures 1,053 feet to the top of its spire. Focus Lighting designed, coordinated, and programmed the control system for the Burj Al Arab exterior lighting, which was designed by Spiers & Major Associates, UK. A single automated, touch-screen system controls 148 Irideon AR500 computerized color-changing fixtures illuminating the tower's impressive fabric "sail" facade. 

Location: Dubai, UAE
Architect: WS Atkins and Partners Overseas

The Burj Al Arab in Dubai. UAE measures 1,053 feet to the top of its spire. Focus Lighting designed, coordinated, and programmed the control system for the Burj Al Arab exterior lighting, which was designed by Spiers & Major Associates, UK. A single automated, touch-screen system controls 148 Irideon AR500 computerized color-changing fixtures illuminating the tower's impressive fabric "sail" facade. 

Location: Dubai, UAE
Architect: WS Atkins and Partners Overseas

The Burj Al Arab in Dubai. UAE measures 1,053 feet to the top of its spire. Focus Lighting designed, coordinated, and programmed the control system for the Burj Al Arab exterior lighting, which was designed by Spiers & Major Associates, UK. A single automated, touch-screen system controls 148 Irideon AR500 computerized color-changing fixtures illuminating the tower's impressive fabric "sail" facade. 

Location: Dubai, UAE
Architect: WS Atkins and Partners Overseas

Positioned between the state Capital and the state Supreme Court, the Michigan Vietnam Memorial Monument stands illuminated as an ever-present reminder to the past. Our aim for this site was to create a warm and comfortable environment for visitors to reflect upon the events of the past and remember those who gave their lives.

Location: Lansing, MI
Architect: Alan Gordon

Positioned between the state Capital and the state Supreme Court, the Michigan Vietnam Memorial Monument stands illuminated as an ever-present reminder to the past. Our aim for this site was to create a warm and comfortable environment for visitors to reflect upon the events of the past and remember those who gave their lives.

Location: Lansing, MI
Architect: Alan Gordon

Positioned between the state Capital and the state Supreme Court, the Michigan Vietnam Memorial Monument stands illuminated as an ever-present reminder to the past. Our aim for this site was to create a warm and comfortable environment for visitors to reflect upon the events of the past and remember those who gave their lives.

Location: Lansing, MI
Architect: Alan Gordon

Positioned between the state Capital and the state Supreme Court, the Michigan Vietnam Memorial Monument stands illuminated as an ever-present reminder to the past. Our aim for this site was to create a warm and comfortable environment for visitors to reflect upon the events of the past and remember those who gave their lives.

Location: Lansing, MI
Architect: Alan Gordon

As the tallest building in the country, the Entel Tower in Santiago, Chile is an official aviation landmark. Now, the headquarters and telecommunications tower of the country's largest telephone company is bathed in a continual nighttime feast of colors. Its dramatically colorful exterior lighting has transformed this structure into one of the most prestigious and well-known buildings gracing the Santiago skyline. 

Location: Santiago, Chile
Owner: Entel Telecommunications - Chile
Awards: Lumen Award, Waterbury Award of Excellence

As the tallest building in the country, the Entel Tower in Santiago, Chile is an official aviation landmark. Now, the headquarters and telecommunications tower of the country's largest telephone company is bathed in a continual nighttime feast of colors. Its dramatically colorful exterior lighting has transformed this structure into one of the most prestigious and well-known buildings gracing the Santiago skyline. 

Location: Santiago, Chile
Owner: Entel Telecommunications - Chile
Awards: Lumen Award, Waterbury Award of Excellence

As the tallest building in the country, the Entel Tower in Santiago, Chile is an official aviation landmark. Now, the headquarters and telecommunications tower of the country's largest telephone company is bathed in a continual nighttime feast of colors. Its dramatically colorful exterior lighting has transformed this structure into one of the most prestigious and well-known buildings gracing the Santiago skyline. 

Location: Santiago, Chile
Owner: Entel Telecommunications - Chile
Awards: Lumen Award, Waterbury Award of Excellence

As the tallest building in the country, the Entel Tower in Santiago, Chile is an official aviation landmark. Now, the headquarters and telecommunications tower of the country's largest telephone company is bathed in a continual nighttime feast of colors. Its dramatically colorful exterior lighting has transformed this structure into one of the most prestigious and well-known buildings gracing the Santiago skyline. 

Location: Santiago, Chile
Owner: Entel Telecommunications - Chile
Awards: Lumen Award, Waterbury Award of Excellence

As the tallest building in the country, the Entel Tower in Santiago, Chile is an official aviation landmark. Now, the headquarters and telecommunications tower of the country's largest telephone company is bathed in a continual nighttime feast of colors. Its dramatically colorful exterior lighting has transformed this structure into one of the most prestigious and well-known buildings gracing the Santiago skyline. 

Location: Santiago, Chile
Owner: Entel Telecommunications - Chile
Awards: Lumen Award, Waterbury Award of Excellence

Renowned for its well-appointed, romantic appeal, the iconic Mansfield Hotel, built in 1903, enjoys a contemporary facelift while its celebrated history remains intact. The facade required subtly placed fixtures so as not to detract from the formal architectural composition. Emphasizing the stone's color, elaborate masonry details and visual rhythms composed by the repetitive form of the windows and columns emphasizes warmth and sparkle on the hotel exterior. 

Location: New York, NY
Owner: Mansfield Hotel
Scope: Exterior

Renowned for its well-appointed, romantic appeal, the iconic Mansfield Hotel, built in 1903, enjoys a contemporary facelift while its celebrated history remains intact. The facade required subtly placed fixtures so as not to detract from the formal architectural composition. Emphasizing the stone's color, elaborate masonry details and visual rhythms composed by the repetitive form of the windows and columns emphasizes warmth and sparkle on the hotel exterior. 

Location: New York, NY
Owner: Mansfield Hotel
Scope: Exterior

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Focus Lighting helped to design lighting for the new home of the New York Giants and New York Jets. The design provides visual unification for the stadium, while also creating a clear presence for both teams as well as several corporate sponsors. The lighting highlights repeating elements that the define the architecture of the stadium and change from Giants blue to Jets green at the main entries. 

Location: East Rutherford, NJ
Scope: Exterior
Building Architect: 360 Architecture
Interior Architect: Rockwell Group

Snowflakes made of over 70,000 LEDs adorn the facade of the Saks Fifth Avenue building. The illuminated snowflakes are synchronized to an upbeat rendition of "Carol of the Bells". The light show, which plays every 15 minutes, features over 450 cues in 90 seconds. The result of a show that gives viewers the quality and excitement of Broadway in the middle of Fifth Avenue. 

Location: New York, NY
Event Designer: American Christmas Decorations, Inc.

Snowflakes made of over 70,000 LEDs adorn the facade of the Saks Fifth Avenue building. The illuminated snowflakes are synchronized to an upbeat rendition of "Carol of the Bells". The light show, which plays every 15 minutes, features over 450 cues in 90 seconds. The result of a show that gives viewers the quality and excitement of Broadway in the middle of Fifth Avenue. 

Location: New York, NY
Event Designer: American Christmas Decorations, Inc.

Snowflakes made of over 70,000 LEDs adorn the facade of the Saks Fifth Avenue building. The illuminated snowflakes are synchronized to an upbeat rendition of "Carol of the Bells". The light show, which plays every 15 minutes, features over 450 cues in 90 seconds. The result of a show that gives viewers the quality and excitement of Broadway in the middle of Fifth Avenue. 

Location: New York, NY
Event Designer: American Christmas Decorations, Inc.

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

For the Bank of America Corporate Center's first ever lighting redesign, we installed 436 high-powered RGBW LEDs at the building's top floors to light the crown's multi-layered tiers of soaring masts. Now, a curated set of 'Light Paintings' can be recalled either through an astronomical timeclock, programmed event dates, or manually through a custom web interface. Additionally, we installed white-light fixtures on the tower’s lower balconies to create a cohesive look for the whole building.  

Location: Charlotte, NC
Client: Bank of America
Architect: Cesar Pelli
Photographer: Daniel Gray

The New York Aquarium’s Ocean Wonders: Sharks! exhibit begins outside, where a 1,000ft-long shimmering wall uses wind and reflected light to create a mesmerizing effect reminiscent of ocean waves. Created by environmental artist Ned Kahn, the wall is comprised of over 33,000 aluminum flappers which wrap the building’s exterior. Each night, a 5-hour-long lighting program, created by the designers at Focus Lighting, illuminates the wall with a carefully curated set of scenes inspired by ocean life.

Location: Brooklyn, NY
Client: Wildlife Conservation Society
Artist: Ned Kahn
Architect: ESKW Architects
Photographer: Ryan Fischer

The New York Aquarium’s Ocean Wonders: Sharks! exhibit begins outside, where a 1,000ft-long shimmering wall uses wind and reflected light to create a mesmerizing effect reminiscent of ocean waves. Created by environmental artist Ned Kahn, the wall is comprised of over 33,000 aluminum flappers which wrap the building’s exterior. Each night, a 5-hour-long lighting program, created by the designers at Focus Lighting, illuminates the wall with a carefully curated set of scenes inspired by ocean life.

Location: Brooklyn, NY
Client: Wildlife Conservation Society
Artist: Ned Kahn
Architect: ESKW Architects
Photographer: Ryan Fischer

The New York Aquarium’s Ocean Wonders: Sharks! exhibit begins outside, where a 1,000ft-long shimmering wall uses wind and reflected light to create a mesmerizing effect reminiscent of ocean waves. Created by environmental artist Ned Kahn, the wall is comprised of over 33,000 aluminum flappers which wrap the building’s exterior. Each night, a 5-hour-long lighting program, created by the designers at Focus Lighting, illuminates the wall with a carefully curated set of scenes inspired by ocean life.

Location: Brooklyn, NY
Client: Wildlife Conservation Society
Artist: Ned Kahn
Architect: ESKW Architects
Photographer: Anna Krutsenko

The New York Aquarium’s Ocean Wonders: Sharks! exhibit begins outside, where a 1,000ft-long shimmering wall uses wind and reflected light to create a mesmerizing effect reminiscent of ocean waves. Created by environmental artist Ned Kahn, the wall is comprised of over 33,000 aluminum flappers which wrap the building’s exterior. Each night, a 5-hour-long lighting program, created by the designers at Focus Lighting, illuminates the wall with a carefully curated set of scenes inspired by ocean life.

Location: Brooklyn, NY
Client: Wildlife Conservation Society
Artist: Ned Kahn
Architect: ESKW Architects
Photographer: Ryan Fischer

The New York Aquarium’s Ocean Wonders: Sharks! exhibit begins outside, where a 1,000ft-long shimmering wall uses wind and reflected light to create a mesmerizing effect reminiscent of ocean waves. Created by environmental artist Ned Kahn, the wall is comprised of over 33,000 aluminum flappers which wrap the building’s exterior. Each night, a 5-hour-long lighting program, created by the designers at Focus Lighting, illuminates the wall with a carefully curated set of scenes inspired by ocean life.

Location: Brooklyn, NY
Client: Wildlife Conservation Society
Artist: Ned Kahn
Architect: ESKW Architects
Photographer: Ryan Fischer

The inspiration for this cruise ship terminal was the image of two ships passing in the night. Chosen with the Terminal’s prime audience (tens-of-thousands of daily commuters on the adjacent causeway) in mind, the terminal’s Arrival Hall and Parking Structure appear to cross paths as they drive by. In the evening, this concept comes to life with lighting that artfully showcases the building’s bold, geometric forms and subtle storytelling.

Location: Miami, FL
Client: Royal Caribbean / Port of Miami
Light Artist: Erwin Redl
Photographer: Justin Keenan Miller

The inspiration for this cruise ship terminal was the image of two ships passing in the night. Chosen with the Terminal’s prime audience (tens-of-thousands of daily commuters on the adjacent causeway) in mind, the terminal’s Arrival Hall and Parking Structure appear to cross paths as they drive by. In the evening, this concept comes to life with lighting that artfully showcases the building’s bold, geometric forms and subtle storytelling.

Location: Miami, FL
Client: Royal Caribbean / Port of Miami
Light Artist: Erwin Redl
Photographer: Justin Keenan Miller

The inspiration for this cruise ship terminal was the image of two ships passing in the night. Chosen with the Terminal’s prime audience (tens-of-thousands of daily commuters on the adjacent causeway) in mind, the terminal’s Arrival Hall and Parking Structure appear to cross paths as they drive by. In the evening, this concept comes to life with lighting that artfully showcases the building’s bold, geometric forms and subtle storytelling.

Location: Miami, FL
Client: Royal Caribbean / Port of Miami
Light Artist: Erwin Redl
Photographer: Justin Keenan Miller

The inspiration for this cruise ship terminal was the image of two ships passing in the night. Chosen with the Terminal’s prime audience (tens-of-thousands of daily commuters on the adjacent causeway) in mind, the terminal’s Arrival Hall and Parking Structure appear to cross paths as they drive by. In the evening, this concept comes to life with lighting that artfully showcases the building’s bold, geometric forms and subtle storytelling.

Location: Miami, FL
Client: Royal Caribbean / Port of Miami
Light Artist: Erwin Redl
Photographer: Justin Keenan Miller

The inspiration for this cruise ship terminal was the image of two ships passing in the night. Chosen with the Terminal’s prime audience (tens-of-thousands of daily commuters on the adjacent causeway) in mind, the terminal’s Arrival Hall and Parking Structure appear to cross paths as they drive by. In the evening, this concept comes to life with lighting that artfully showcases the building’s bold, geometric forms and subtle storytelling.

Location: Miami, FL
Client: Royal Caribbean / Port of Miami
Light Artist: Erwin Redl
Photographer: Justin Keenan Miller

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Washington D.C.

Architect: Major and HWKN

Photographer: Ryan Fischer

Location: Hudson River Waterfront - Jersey City, NJ

Artist: Jaume Plensa

Client: LeFrak and Simon

Photographer: Ryan Fischer

Location: Hudson River Waterfront - Jersey City, NJ

Artist: Jaume Plensa

Client: LeFrak and Simon

Photographer: Ryan Fischer

Location: Hudson River Waterfront - Jersey City, NJ

Artist: Jaume Plensa

Client: LeFrak and Simon

Photographer: Ryan Fischer

Location: Hudson River Waterfront - Jersey City, NJ

Artist: Jaume Plensa

Client: LeFrak and Simon

Photographer: Ryan Fischer